![]() ![]() Hou’s aesthetics and technique are considered to be similar to those of Yasujiro Ozu, and this film highlights that notion, not only theme-wise, but also technically. The first international success in Hou Hsiao Hsien’s career also signaled his first collaboration with cinematographer Mark Lee Ping Bin, with the result being as wonderful as expected by the two masters. A Time to Live, A Time to Die (Hou Hsiao Hsien, 1985, Taiwan) All of the above have the same purpose, which is to give the audience a feeling as if they’re an actual part of the film.Ģ9. ![]() Furthermore, he only uses one lens, a 50mm, which he said was the closest to the human eye. In this movie, the camera almost never moves, as it is placed on the eye-level of a person sitting on a tatami mat. In probably his second or third best film, Yasujiro Ozu once again implemented his unique style with the help of Yasuharu Atsuta. Please take caution before reading, because the list contains many spoilers.ģ0. With a focus on diversity, here is a list with 30 Asian films with astonishing cinematography. I would ask for people from those countries, and many more Asian ones that were not included in the list, to forgive my lack of knowledge in their countries’ cinema. Lastly, apart from films from Southeast Asia, which are the largest part of this list, we also look at films with great cinematography from Afghanistan, Iran, and India. However, the fact is that films from many Asian countries have also been excelling in that aspect with the heritage of classic Japanese filmmakers, such as Akira Kurosawa, Kenji Mizoguchi and Yasujiro Ozu, who were true pioneers in the field, affecting contemporary creators in the most fruitful fashion.įurthermore, filmmakers such as Wong Kar Wai and Hou Hsiao Hsien brought many original ideas to the field, creating in the process, their own unique cinematographic style, with their movies considered as visual poems. Among the many traits of Asian cinema, the elaborateness in its cinematography is probably the least hailed. ![]()
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